|  BEYOND 
                THE STETHOSCOPEBy DA Feinfeld
  PROVENCE 
                WATER-COLORS (to Nancy Rifkin)   
                Water has no color, borrows mauve,beryl, amber from the hills,
 drips the 
                sky’s iris in layers.
 There are 
                no borders: steeple and tree
 tell your 
                hand how to move the pen
 but not the 
                brush-hairs that slide
 and cross 
                into unmapped brooks.
  In 
                a tiny town-square you meeta ray of afternoon 
                light, follow her
 to the café, 
                where her bright hair sweeps
 the black 
                chair-backs and zinc bar,
 then settles 
                on the faces, all stained
 blurred 
                orange from the sun.
 Here, she 
                tells you, are no straight lines:
 in water, 
                clear pastis blurs into cloud.
  Your 
                brush touches a blood-dropto the nap 
                of the paper, spurting
 a single poppy 
                (gentil coq’liquot)
 between gentian 
                and grass,
 an iron-red 
                pledge of trust,
 sign of deceit; 
                an unseen bird
 chants that 
                girls are faithless
 and men even 
                worse.
  Black, 
                unblinking eye-spotsof sunflowers 
                trace the day,
 lidded in 
                exploding yellow petals;
 even the surprise 
                of your boots
 over pebbles 
                will not draw
 their rapt 
                stare from the sky.
 The mountain 
                rises above the road,
 scowling, 
                fierce-moustached in green;
 his stone-ringed 
                mouth the line
 of a village: 
                church and shop
 mark his mute 
                gray lips.
 At night he 
                pulls on a black beret,
 sits in the 
                card game at Chez Marius
 where hunched 
                men swap stories;
 when talk 
                turns to the old times,
 he slips you 
                one secret smile.
  STEALING 
                HOME (Ebbets 
                Field, Brooklyn, early 1950’s)   That 
                last run the hardest—reaching third 
                was easy
 (at least 
                for Jackie), but now
 each half-second 
                an edge, a brink.
 He’d buck-and-wing 
                between
 safety 
                of the base and the strip
 where missed 
                steps mean the end.
 Most times, 
                he’d stare
 into the pitcher’s 
                head,
 cool eyes 
                repeating I dare you,
 and he’d swerve 
                like a king snake
 coming off 
                a rock. One careless
 catcher’s 
                toss, and his spikes
 grabbed that 
                extra second, a night wind
 mixing with 
                the dust whooshed ahead,
 (Steal away, 
                steal away home,)
 then crashing 
                leap, a hurl
 past the threatening 
                tag.
 A net of hands 
                tugged him
 from 
                the river, across the line,
 again one 
                roving brother home free.
   Education Update, Inc., P.O. Box 20005, New York, NY 10001. Tel: 
  (212) 481-5519. Fax: (212) 481-3919. Email: ednews1@aol.com.All material is copyrighted and may not be printed without express consent of 
  the publisher. © 2001.
 
 
   
 
 |