Home About Us Media Kit Subscriptions Links Forum
APPEARED IN


View All Articles

Download PDF

DIRECTORIES:

Job Opportunities

Tutors

Workshops

Events

Sections:

Books

Camps & Sports

Careers

Children’s Corner

Collected Features

Colleges

Cover Stories

Distance Learning

Editorials

Medical Update

Metro Beat

Movies & Theater

Museums

Music, Art & Dance

Special Education

Spotlight On Schools

Teachers of the Month

Technology

Archives:

1995-2000

2001

2002

2003

2004

AUGUST 2004

THEATER REVIEW:
Bollywood on Broadway: Bombay Dreams

By Jan Aaron

Glitzy costumes and sets and a beguiling score dress up this musical's familiar story. Like its inspiration the Bollywood film musical, Bombay Dreams relates an oft-told tale. This one of a star-struck spunky young guy from the slums who, against all odds, makes it big in the movies and comes to the realization that all the trappings of fame are merely phony adornments. Despite its trite tale, the show is a feast for the eyes and a family treat.

First produced in London by Andrew Lloyd Webber, "Bombay Dreams" has been revised for Broadway. Gifted composer, A. R. Rahman, has added several new tunes (including a rap song for the New York) and Thomas Meehan ("Producers," "Hairspray") has tweaked the book for local audiences.

In a nutshell: Akaash (Manu Narayan), who lives in a slum called "Paradise," dreams of making it big so he can buy the land the slum sits on and save it from greedy developers. Through big Bollywood coincidences, he gets his break in the movies, only to abandon his dear old granny (Madhur Jaffrey) and his best friend, a big-hearted eunuch, "Sweetie," (Sriram Ganesan).

While Akaash embraces the typical movie idol's empty lifestyle and his screen leading lady, Rani, the excellent Ayehsa Dharker, the slum appears doomed. At last, Akaash proclaims his solidarity to the poor, foils the bad guy lawyer, who turns out to be the fiancée of his true love, the socially conscious Priya (Anisha Nagarajan).

Although the cast are all accomplished singers, the leads aren't masters of the distinctive fluttering Indian vocal style. However, this does not mar the performance for the show is styled to Western tastes.

The story is woven together by graceful and spirited dance numbers, including one, "Shakalaka Baby," with a splashing fountain, a Bollywood movie staple. Collaborating choreographers are Anthony Van Laast and Farah Kahn. The show can be praised both for bringing a bit of Bollywood ballyhoo to Broadway and for bringing a happy experience to the audience.#

Broadway Theater, 1601 Broadway at 53rd St. $40-$100.

COMMENT ON THIS ARTICLE

Name:

Email:
Show email
City:
State:

 


 

 

 

Education Update, Inc.
All material is copyrighted and may not be printed without express consent of the publisher. © 2005.