Product Review:
                  John
                  McLaughlin’s This is
                    How I Do It
                   Improvisation Workshop DVD
                    By Mitchell Levine
                
                Of all the components of musicianship,
                    the most mysterious to the guitar student of virtually all
                    levels is improvisation. Technical skills and sight-reading
                    can be taught mechanically, although doing so in an inspired
                    way is, of course, not so easy. Intermediate guitarists learn
                    about scales and their relation to chord changes, and transcribe
                    and imitate solos, and hope that they’ll learn more about the mysteries
                  of that strange form of apparently spontaneous composition
                  called “improvising.” Most people don’t even
                  believe that soloing well and creatively can be taught, and
                  that inspired improvisers are born and not made.
                Well, protean guitar virtuoso John
                    McLaughlin believes otherwise, and he sets out in this instructional
                    video to prove it. As a brilliant improviser himself, he
                    hardly needs any introduction. From his early jazz days,
                    to the fusion of the Mahavishnu Orchestra and Miles Davis’ Bitches
                    Brew, to his acoustic work in Shakti and the classic Friday
                    Night in San Francisco, Mr. McLaughlin has demonstrated not
                    only his legendary, perhaps unparalleled, technical mastery
                    of the instrument, but extraordinary ability to create startling
                    impromptu solos over incomparably difficult material as well.
                In this three DVD set, McLaughlin
                    leads the viewer on a journey to develop both technique and
                    intuition to similar heights. Covering the fundamentals of
                    theory from harmonization and basic scales to more sophisticated
                    modal theory, each of the DVD’s chapters is followed
                    with demonstrations of McLaughlin using that information
                    to create a solo, giving practical insight into the theoretical
                    topic. 
                Each of these expositions is presented
                    in “split screen,” so
                  the student can view both right and left hands of his execution
                  of every sequence – a big improvement, at least in the
                  mind of anyone that’s ever tried to learn from a concert
                  video. Finally, each performance segment is followed by a thorough
                  analysis of the relation of the topic to the particular improvisation.
                In this format, the serious student can probably learn more
                  than most improvisers ever do after years of searching for
                  these elements in disparate sources. However, with the wealth
                  of information presented, it should be noted that this is a
                  study program that requires a substantial commitment of time
                  and effort: fully mastering the lessons and meeting all of
                  the demanding requirements for the lessons could take one to
                  two years or more. 
                Also, it’s probably much more than the typical pop/rock-style
                  guitarist will ever need – the DVD appears to have been
                  designed for the committed jazz or fusion player who wishes
                  to explore the full harmonic and tonal resources the instrument
                  has to offer in complete detail. It’s rather unlikely
                  that a top 40 or college alternatives player would ever require
                  the depth of theoretical understanding this program was designed
                  to develop, nor was it intended for complete beginners either.
                  Those without basic proficiency on the fretboard, and at least
                  some knowledge of introductory music theory, should probably
                  wait a few years before attempting to make their way through
                  this course.
                But, for the player that deeply
                    wishes to develop the skills necessary to reach the guitar’s
                    true potential, and is willing to make a heavy investment
                    of time and labor, it would be difficult to pick a better
                    bet than This is How I Do
                  It, as both an instructional aid and syllabus for a course
                  of music study. That is, unless you happen to have access to
                  private lessons from one of the world’s greatest guitarists,
                  and, now, greatest teachers as well. Everyone else should buy
                  a copy of this DVD immediately. 
                For more information, log on to the
                  distributor’s site
                  at www.abstractlogix.com.